“With ‘Into The Blue’ Gal Musette relays the relatable narration of the power of expectations and how important it is to let go of toxic self doubt and critical thinking. Lyrics including, “now I can be brave / all my intentions fade / into the blue,” show just how ready Gal is to let go of negative thoughts transforming her future into one full of hope and promise. Musically, “Into The Blue” is a shimmery, sonically pleasing affair complete with Gal’s pristine vocals singing powerful melodies hanging over indie pop landscapes. Elements of classical, pop, folk, and rock combine into an alluring listen.”
— Earmilk
“Gal’s knack for writing fresh songs influenced by nostalgic musical offerings is uncanny.”
— EARMILK
“Turning her grief into fodder, Musette crafted just a few lines into a longer work and set it atop a delicate soundscape rife with melancholic piano and driving drums. Quickly, “Moment” took shape, and it’s a track that ripples with real emotion. A tribute to a person she has unexpectedly lost, Musette ponders the courage it takes to accept reality and move forward. The grief is heavy, but there is bliss in acceptance.”
— The Line of Best Fit
Je vois le ciel
“This highly relatable theme many of us have experienced during lockdown and Gal Musette brilliantly crafts a song that is deeply poignant..... “Je Vois Le Ciel” thrills with dreamy warm vocals floating atop thumping basslines and spirited piano chords. Decadent theremin add another dimension to the stunning velvety baroque pop story.”
— Victoria Polsely (Earmilk)
“«Je vois le ciel » calls upon the esteemed French screenwriter and poet Jacques Prévert. The song draws parallels to Prévert’s work through lofty spirals of dramatism and sentimental lyrics. Musette discusses her urge to explore a higher purpose and how time keeps passing her by from the windows of her bedroom. She toys with dark, descending piano and playful upright basslines to counteract her symphonic background vocals at the heart of the piece. «Je vois le ciel » has an eerie, existential undertone, but remains lighthearted and mischievous on the surface so that it lingers long after the song is over.”
